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He also wrote the libretto, about a mythical black leader, and choreographed it. Joplin’s contract with Stark ended in 1909, and, though he made piano rolls in his final years, most of Joplin’s efforts involved Treemonisha, which synthesized his musical ideas into a conventional, three-act opera. Moving to New York City in 1907, Joplin wrote an instruction book, The School of Ragtime, outlining his complex bass patterns, sporadic syncopation, stop-time breaks, and harmonic ideas, which were widely imitated. His first opera, A Guest of Honor (1903), is no longer extant and may have been lost by the copyright office. Joplin published his first extended work, a ballet suite using the rhythmic devices of ragtime, with his own choreographical directions, in 1902. Louis to work more closely with the music publisher John Stark. His first published songs brought him fame, and in 1900 he moved to St. Smith College for Negroes and hoped for a career as a concert pianist and classical composer. Settling in Sedalia, Missouri, in 1895, he studied music at the George R. Joplin traveled through the Midwest from the mid-1880s, performing at the World’s Columbian Exposition in Chicago in 1893. By 1880 his family had moved to Texarkana, where he studied piano with local teachers. Joplin spent his childhood in northeastern Texas, though the exact date and place of his birth are unknown. Scott Joplin, (born 1867/68, Texas, U.S.-died April 1, 1917, New York, New York), American composer and pianist known as the “king of ragtime” at the turn of the 20th century.
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